Augie March – One Crowded Hour

I have listened to this song ALL DAY long. It’s like Leonard Cohen meets Bob Dylan meets Rufus Wainwright.

I thought I had found my golden September
In the middle of that purple June
But one crowded hour
Would lead to my wreck and ruin

Off the List 18

Swamped again.  I feel like every other week ends up being insane.  But…music makes doing homework and running around way more enjoyable.

I wish this song went on foreverrrrrrrrrrrrrrr.

Ok so, I was watching The Good Wife and there was this amazing song at the end and I was dying trying to find it and then I found out that The Blow used the background music from Come On Petunia and then wrote new lyrics so CBS wouldn’t get sued (check out @thebl0w for the deets). I really wish that there was a real copy of that version. Anyway it was the episode “Two Girls, One Code” (so lame, with the title), starting at like the 40 min mark and then all the way to the end.

Here are the lyrics:

can everybody see that i’m on fire
did they watch you burn this mother down
please don’t rescue me
i’m free to burn out as i please
just leave me be
don’t put me out

i don’t care if people know
i don’t care what they’d say
when a little spark got started
and i’d just sit and watched it grow
as the flames speed through more and more (?)
everyone will know-oh-oh-oh

Lovely duet

“Like a rabbit in your headlights” really sticks out, lol

 

 

Tig Notaro on Fresh Air

Step 1: Read this post.

Step 2: Listen to this interview.

Step 3: Buy the set.

And that is how you maximize your Tig potential.

Tig Notaro announced this week that her double mastectomy was successful, doctors believe they removed all of the cancer and they told her she has only a 7% chance of recurrence. Obviously, this is amazing news! and I’m glad that she will be around to make people laugh/cry/think for many years to come. Also, when (not if) you buy her set, most of the proceeds go to breast cancer charities, so it counts as a good deed.

Here’s an excerpt from Tig Notaro’s Fresh Air interview:

GROSS: So what did it feel like the first time you got a laugh?

NOTARO: I wasn’t expecting it. It’s so interesting, I didn’t account for laughter, which seems odd, but I had been talking to myself for so long at my apartment. I was so focused on getting all of my material down and when I got on stage at the coffee shop and people laughed, I remember being taken aback. I was like, oh, oh that’s what I was telling you this for, was for the laughter, but I just didn’t even, didn’t even factor it in at all but it was so exhilarating.

GROSS: So a lot…

NOTARO: So much so that I the second night I did stand up I thought because the first night went so well I was like oh, this is so easy. So I went and I…

(LAUGHTER)

NOTARO: I competed in a standup competition and I got booed off the stage and walked offstage, really. I was like what am I doing?

GROSS: And how come you weren’t so discouraged that you never went back on stage again?

NOTARO: It’s that thing of comedy. It’s that roller coaster that just sucks you in. It’s kind of like gambling, I guess. You hit big one time and then you bottom out, and you’re like oh, I can hit big again, and so that just kind of keeps you going. Luckily, I’m not a gambler, or a drinker or, you know, I get my fix of comedy.

Also, Louis CK, who is releasing Tig’s set through his website, and who has been a guest on Fresh Air before, spoke with Terry Gross about why Tig’s set is, in his words, “masterful.”

Here’s an excerpt from Louis CK’s interview:

GROSS: From a comic’s perspective, what made the set so good?

C.K.: Well, you know, for comedians you see everything. We know all the tricks so it’s hard to impress a comedian with comedy. But some people have a sound that’s just theirs that’s patented. It’s kind of like horn players. There’s probably times that Charlie Parker would tell John Coltrane, you know, I saw this guy in Chicago you got to hear him. I mean, nobody’s doing what this guy is doing. Tig has this really beautiful sound on stage. She has this way of dropping her jokes that are – they’re wonderful deadly jokes. And they’re about small things usually, like bees and drapes, but they’re incredible.

So here she is applying it to something really big. It was an incredible example of what comedy is good at, which is taking people to the scary parts of their mind and making them laugh in those scary places. That’s a great gift. And some of us do it through calculation or through repetition and, kind of, like, you know, focusing on a bit and refining it. Tig just went up there with her voice and in front of us she processed her own death, her own imminent death, with humor, with comedy, which is this very pure oxygen-rich environment.

You know, she did something about looking at a picture of herself when she was five and saying to this cute little picture, you’re going to get cancer. And we’re all going, oh my god. And I never – for me, I kept – I was crying and laughing the whole time and hearing the audience lurching back and forth, exploding, then hushed – totally hushed – and then exploding again. It’s like I never saw anything like it, the way that she controlled it.

A note about that bold section above, that would have absolutely make me cry.  FO SHO.

UPDATE: Amazing! So many funny, touching moments. A lot of variety. This is one of the bravest things I’ve ever heard before; I can’t imagine being able to stand up in front of strangers and share such personal things.